Photo by Lucy Nuzum
The afterlife may not seem like usual theater subject matter, but “The Life and Sort of Death of Eric Argyle” is anything but ordinary. This refreshingly unique play follows the immediate hours after Eric Argyle’s death, both in his new world and the one he left behind. Addressing existential matters in a tangible and entertaining story, the performance subtly begs audiences to question the inevitable impact of life’s biggest regrets.
Straight from a Fringe First Award, “The Life and Sort of Death of Eric Argyle” is pleasingly reminiscent of “It’s A Wonderful Life” and “Click” (without the excessive sorrow, trippy Christopher Walken appearance, or magical do-over options).
Photo by Lucy Nuzum
Despite its’ cleverly simple set and actors who change roles with the switch of a coat, “Eric Argyle” manages to whole-heartedly engage its’ viewers; each characters’ sincere love, unspoken passion and sorrowful loss is nothing short of palpable. The connection made between audience members and plot lines in this succinct 90-minute play is a testament to the talent of all eight performers, and the innovative execution of their script.
Likely perfected during the production’s most recent tour at London’s SoHo Theater, the role of many performers as both narrator and character had the makings for chaos. Luckily for us, sharp brilliance was made instead.
Telling a story that could have been quite depressing, the character’s witty interaction gave audiences a comic relief and their raw emotion left attendees deep in thought well after the play ended.
Currently playing at the intimate venue of 1st Irish at 59E59 Theater, “The Life and Sort of Death of Eric Argyle” will run through September 29th. Visit www.59e59.org for show time and ticketing information about the afterlife’s best theatrical portrayal.
